Bob Dylan has some Dylanesque thoughts on the “sorcery” of technology

With the holiday release of the biopic A Complete Unknown, Bob Dylan is once again in the national spotlight. For me, the film provided a welcome excuse to read up on Dylan, who has always been a reputable source of enjoyably gnomic quotes, self-mythologizing, and enigmatic asides. Even in his old age, Dylan still delivers—especially when he gets going on technology, joysticks, and "dog ass" television programs.

Consider the interview Dylan gave to The Wall Street Journal in December 2022. (You can read the whole thing on BobDylan.com.) The piece was, notionally, about Dylan's book, The Philosophy of Modern Song. But it quickly morphed into a meditation on creativity in the era of on-demand streaming content, along with a discussion about how Dylan had spent his time during the COVID-19 lockdowns.

Dylan claims that he spent the pandemic replacing door panels on a ’56 Chevy, painting some landscapes, and re-reading “Rime of the Ancient Mariner” while pondering the mysteries of opium. Okay. He also had time left over to stream some TV:

I’ve binge-watched Coronation Street, Father Brown, and some early Twilight Zones. I know they’re old-fashioned shows, but they make me feel at home. I’m not a fan of packaged programs, or news shows, so I don’t watch them. I never watch anything foul smelling or evil. Nothing disgusting; nothing dog ass. I’m a religious person. I read the scriptures a lot, meditate and pray, light candles in church. I believe in damnation and salvation, as well as predestination. The Five Books of Moses, Pauline Epistles, Invocation of the Saints, all of it.

As with many of Dylan’s song lyrics, I can’t say precisely what “nothing dog ass” means, nor how he got from streaming TV to predestination, but it’s certainly a vivid and moral response. Much of the interview, in fact, concerns modern technology and its effects on humans—especially when it comes to creativity.

We might expect someone like Dylan, immersed as he has always been in folk songs, old standards, and American history, to bemoan the corrupting influence of new technology. And he does offer up some quotes in that vein. For example:

Everything’s become too smooth and painless… The earth could vomit up its dead, and it could be raining blood, and we’d shrug it off, cool as cucumbers. Everything’s too easy. Just one stroke of the ring finger, middle finger, one little click, that’s all it takes, and we’re there.

Or again:

Technology is like sorcery, it’s a magic show, conjures up spirits, it’s an extension of our body, like the wheel is an extension of our foot. But it might be the final nail driven into the coffin of civilization; we just don’t know.

But Dylan's perspective is more nuanced than these quotes might suggest. While technology might doom our civilization, Dylan reminds us that it gave us our civilization—that is, "science and technology built the Parthenon, the Egyptian pyramids, the Roman coliseum, the Brooklyn Bridge, the Eiffel Tower, rockets, jets, planes, automobiles, atom bombs, weapons of mass destruction."

In the end, technology is a tool that can either decimate or stimulate human creativity.

Keypads and joysticks can be like millstones around your neck, or they can be supporting players; either one, you’re the judge. Creativity is a mysterious thing. It visits who it wants to visit, when it wants to, and I think that that, and that alone, gets to the heart of the matter...

[Technology] can hamper creativity, or it can lend a helping hand and be an assistant. Creative power can be dammed up or forestalled by everyday life, ordinary life, life in the squirrel cage. A data processing machine or a software program might help you break out of that, get you over the hump, but you have to get up early.

Getting up early

I've been thinking about these quotes over the recent Christmas and New Year's holidays, which I largely spent coughing on the couch with some kind of respiratory nonsense. One upside of this enforced isolation was that it gave me plenty of time to ponder my own goals for 2025 and how technology might help or hinder them. (Another was that I got to rewatch the first four Die Hard movies on Hulu; the fourth was "dog ass" enough that I couldn't bring myself to watch the final, roundly panned entry in the series.)